
Hear a realistic Soundstage — with consistent sound everywhere in the room.
WiSound RoomFill™ 3D-360° technology gives the 3D-Bar 8AT two unique advantages:
• Realistic Soundstage. Sound gains a natural sense of space and depth — not the flat presentation of a conventional soundbar.
• Consistent Sound Everywhere. The experience stays uniform across the whole room, not only in a narrow sweet spot.

Hear a large soundstage in front of you, with width, height, and natural presence.
4 × 2.25″ front and side drivers + 2 × 2.5″ up-firing drivers work together so sound fills the room with detail and balance.
• The front drivers give immediate stage presence, the side drivers extend the soundstage into the room, and the up-firing drivers add realistic height for the full Dolby Atmos experience.
• The result: a vivid 3D soundstage with natural height and presence that opens up in front of you.

Enjoy the most advanced sound experience, with 3 types of Dynamic Room Equalization:
1. 3D-360° Spherical
Room Adaptive Equalization
• natural and pleasant sound
• rich feeling of space everywhere in the room,
• without the narrow sweet spot of the conventional speakers
2. Dynamic Equalization
• full sound with dynamic Bass
• automatically adjusted
• even at very low Listening Levels
3. Reflections Gain Equalization
• Listen without Distortion
• without reflection colorations from walls and furniture

The performance appears to take place in an appropriate spatial environment
Experience Homogeneity of Spatial Sound Reverberance, Acoustic balance, Apparent room size, Depth perspective, Sound color of Reverberation.
Examples of common descriptive terms: Reverberate /dry, Large/small room, Direct/indirect.
Enjoy and share our SPATIAL IMPRESSION PLAYLIST* on TIDAL and SPOTIFY: https://www.crystalaudio.com/eur/playlists#spatial-impression
*Test your Headphones and Speakers with the Best Tracks, selected by Crystal Audio engineers, and based on ITU-R BS.1284-2 (01/2019) International Standard.

Enjoy rich, natural, and perfectly balanced sound — wherever you sit.
• WiSound technology expands the traditional "Sweet Spot" to the entire room, projecting sound evenly in 360°.
• Sound creates natural reflections to enhance clarity, depth, and realism.
• The result is a spacious, lifelike, and dynamic soundstage — with perfect sound everywhere in the room.

Enjoy impressively deep Bass that brings out all low-end frequencies from movie sound effects to lively music tracks
Bass: The four low octaves, with their centre frequencies below 250 Hz, are responsible for depth, weight, and physical presence.
A. SUB-BASS
• Center · Range: 31 Hz · 20–40 Hz
• Character: Weighty sound felt more than heard
• Common flaws in cheaper systems (avoided by WiSound): Rumble
• Found in: Kick drum, bass, organ
B. LOW BASS
• Center · Range: 63 Hz · 40–80 Hz
• Character: Depth, thud, fullness
• Common flaws in cheaper systems (avoided by WiSound): Boomy, loss of definition
• Found in: Kick drum, bass, piano
C. MID-BASS
• Center · Range: 125 Hz · 80–160 Hz
• Character: Body, weight
• Common flaws in cheaper systems (avoided by WiSound): Chesty, plummy, boomy, unclear
• Found in: Punchy bass, vocal fullness, toms attack, guitar & snare fullness, warm piano & horns
D. UPPER BASS
• Center · Range: 250 Hz · 160–320 Hz
• Character: Warmth
• Common flaws in cheaper systems (avoided by WiSound): Boxy, hollow, muddy
• Found in: Vocals, electric guitar, snare fullness; many acoustic instruments, brass, woodwinds, violins
Hear and share our BASS playlist on TIDAL and Spotify.
*Test your Headphones and Speakers with the Best Tracks, selected by Crystal Audio engineers, and based on ITU-R BS.1284-2 (01/2019) International Standard.

Hear midrange frequencies rich in information, delivering even the finest sonic details — for a perfectly balanced, natural listening experience.
Midrange / Vocals: The three midrange octaves, with centre frequencies between 250 Hz and 4 kHz, define the clarity and expressiveness of vocals and most musical instruments.
A. LOW-MID
• Center · Range: 500 Hz · 320–640 Hz
• Character: Projection, presence, texture and balance
• Common flaws in cheaper systems (avoided by WiSound): Tubelike, hollow, nasal
• Found in: Texture and balance, brass character on vocals, bassline clarity
B. MID-MIDRANGE
• Center · Range: 1 kHz · 640 Hz – 1.25 kHz
• Character: Focused projection, dynamic projection, attack
• Common flaws in cheaper systems (avoided by WiSound): Cuplike, honky, nasal, "phone effect"
• Found in: Snare attack, guitar and percussion, "phone effect" on vocals
C. UPPER-MID
• Center · Range: 2 kHz · 1.25–2.5 kHz
• Character: Crispness, liveliness, musicality, naturalness
• Common flaws in cheaper systems (avoided by WiSound): Nasal, hard, gritty
• Found in: Vocal articulation, guitar liveliness
Hear and share our MIDRANGE playlist on TIDAL and Spotify.
*Test your Headphones and Speakers with the Best Tracks, selected by Crystal Audio engineers, and based on ITU-R BS.1284-2 (01/2019) International Standard.

Experience clear, crisp high frequencies without distortion — detail, brilliance, and a sense of air.
Treble: The three high octaves, with centre frequencies above 4 kHz, are responsible for clarity, brilliance, and the sense of air in sound.
A. LOW-TREBLE
B. MID-TREBLE
C. UPPER-TREBLE
Hear and share our TREBLE playlist on TIDAL and Spotify.
*Test your Headphones and Speakers with the Best Tracks, selected by Crystal Audio engineers, and based on ITU-R BS.1284-2 (01/2019) International Standard.

Experience great audio, superb dynamic range, exceptional sound accuracy
Enjoy your music, videos, and games! Test your headphones and speakers on every aspect of sound performance with the best tracks for: BASS, MIDRANGE, TREBLE, SPATIAL IMPRESSION, IMAGING, 3-Directional Soundstage Width, Depth, Height & Focus, SOUND BALANCE & Dynamics, TRANSPARENCY, Rhythm & Timing, TIMBRE, Attack & Decay.
Find and share our 9 PLAYLISTS on TIDAL and Spotify.
*Selected by Crystal Audio engineers, based on ITU-R BS.1284-2 (01/2019) International Standard for Sound Performance.
*Selected by Crystal Audio engineers, based on ITU-R BS.1284-2 (01/2019) International Standard for Sound Performance.

The subjective impression that all details of the performance can be clearly perceived.
Experience Sound source definition, Time definition, Intelligibility.
Examples of common descriptive terms: Clear / Muddy.
Hear and share our TRANSPARENCY playlist on TIDAL and Spotify: crystalaudio.com/eur/playlists#transparency
*Test your Headphones and Speakers with the Best Tracks, selected by Crystal Audio engineers, and based on ITU-R BS.1284-2 (01/2019) International Standard.

The subjective impression of the accurate portrayal of the different sound characteristics of the sound source(s).
Experience Sound Color, Sound Attack.
Examples of common descriptive terms: Boomy / Sharp, Dark / Light, Warm / Cold.
Hear and share our TIMBRE playlist on TIDAL and Spotify: crystalaudio.com/eur/playlists#timbre
*Test your Headphones and Speakers with the Best Tracks, selected by Crystal Audio engineers, and based on ITU-R BS.1284-2 (01/2019) International Standard.

The individual Sound Sources appear to be properly balanced in the general Sound Image.
Experience Loudness Balance, Dynamic Range.
Examples of common descriptive terms: Sound source too loud / too weak; Sound natural / compressed.
Hear and share our SOUND BALANCE playlist on TIDAL and Spotify: crystalaudio.com/eur/playlists#sound-balance
*Test your Headphones and Speakers with the Best Tracks, selected by Crystal Audio engineers, and based on ITU-R BS.1284-2 (01/2019) International Standard.

Dust and water durable

The Sound Image appears to have the correct and appropriate Direction Distribution of the Sound Source.
Experience Directional balance, Stability, Sound Image width, Location accuracy.
Examples of common descriptive terms: Wide / Narrow , Precise / Imprecise
Enjoy and share our STEREO IMPRESSION PLAYLIST* on TIDAL and SPOTIFY: https://www.crystalaudio.com/eur/playlists#imaging
*Test your Headphones and Speakers with the Best Tracks, selected by Crystal Audio engineers, and based on ITU-R BS.1284-2 (01/2019) International Standard.